“From Tallis to Rutter”—the phrase describes the vast scope of the Great British Choral Tradition. Thomas Tallis was an Elizabethan musical star in the 16th century, while five centuries later, in the same tradition, John Rutter writes some of the most imaginative choral music to be found anywhere today.
The motet Spem in Alium is in forty, yes forty— parts, and moves through myriad combinations to form a stunning vocal kaleidoscope.
Composed in 1985 as a tribute to his father, Rutter’s smooth but modern Requiem often nods fondly towards some of the composer’s own musical “fathers”, including Fauré, Mahler, and Gershwin.
Separating Tallis from Rutter, Vaughan Williams appears through his ravishing instrumental work based on everyone’s favourite English folksong Greensleeves.
Morag Atchison, Soprano
Auckland Choral
Pipers Sinfonia
Uwe Grodd, Conductor
Tickets are available at eventfinda.co.nz or phone 0800 BUYTIXS (0800 289 8497).
Price $45, concessions available.
Please note that some seats have obstructed views.
Colleen Elliott joined Auckland Choral in 1999. She comes from a musical background starting with piano at aged 7 which also included being a foundation member of the Whangarei Childrens Choir formed by her Mother in the mid 1950’s. Colleen passed LTCL performers in piano but never completed it as the desire to sing became more the focus and formal vocal training commenced.
Hi, I am Katherine Hong - Alto 1, joined Auckland Choral in the early 2016. I am crazy about 18th and 19th century classical music and dreamt one day I could sing "Messiah" in a symphonic choir. And now not only I sing "Messiah" but also have lots of opportunities to sing other beautiful and heavenly music which I never dreamt that dream. No single rehearsal I want to miss.
Hi, I’m Alison Miller. I have been singing all my life, as both my parents had good voices, and we followed in their footsteps. I’ve sung in both church and community choirs, but when I was a pupil in the EGGS choir, we sang the third chorus part in St Matthew Passion in the Town Hall with Ray Wilson conducting and I was smitten. Years later when we returned to Auckland, and heard Auckland Choral singing Brubeck’s Light in the Wilderness in 1969, I knew I had to belong to this magnificent choir.. I joined in 1970 as a soprano 1, and have been a member since then, with the first concert being Walton’s Belshazzar’s Feast, with 6 weeks rehearsal time. 
