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Support Auckland Choral

The fallout from COVID-19 has hit the arts sector particularly heavily, with concerts worldwide cancelled: artists, groups and venues left without any certainty as to their future. For the first time since the influenza epidemic of 1918 (which caused the cancellation of our Elijah & Messiah concerts) we too were forced to cancel our last concert, Haydn’s The Seasons - at significant financial cost.

Now, more than ever, we are seeking donations, gifts in kind, sponsorships and bequests to ensure Auckland Choral can continue its day-to-day operations and performances in the future.

If you or your company would like to support us, please consider donating or becoming a sponsor. Contact Carey McDonald on admin@aucklandchoral.com for more information

Mahler Symphony No. 2 in C minor Resurrection

Join NZSO Music Director Edo de Waart, two outstanding soloists, and choirs for Mahler’s huge Second Symphony – Resurrection.

This is one of Mahler’s most popular works. Using massive forces – vocal soloists, a choir, extra wind and percussion and offstage brass and percussion – to create high drama, there are also many quieter,
intimate moments. Mahler wrote various programs for this work highlighting the struggles of a hero who finally succumbs to death. The first movement represents a funeral. The second remembers happy times. The third “when you awaken from a blissful dream and are forced to return to this tangled life of ours.” The fourth is a wish for release from a life without meaning. In the final movement “the end of every living thing
has come; the Last Judgment is at hand … the trumpets of the Apocalypse ring out.” 

Mahler later withdrew the program, telling his wife that ‘it gives only a superficial indication, all that any program can do for a musical work.’ Swedish mezzo-soprano Anna Larsson is renowned for her Mahler interpretations, which she has sung with the world’s greatest orchestras.

Graduating from The Juilliard School in 2011, American soprano Lauren Snouffer is one of the most versatile young sopranos on the international stage.

New Zealand Symphony Orchestra

Edo de Waart Conductor
Lauren Snouffer Soprano
Anna Larsson Mezzo-soprano

Voices New Zealand Chamber Choir
Auckland Choral

Auckland
Sat, 23 Nov, 7.30pm
Auckland Town Hall

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Auckland Choral 100th Hallelujahs Documentary

Watch the full documentary of about Auckland Choral's 100th consecutive performance of Handel's Messiah: 

 

Who we are: Get to know some of our choir members

  • Jacob Siohane-Royle

    Picture of Jacob Siohane-RoyleI joined late last year in the Soprano 1 section, and am currently Auckland Choral’s youngest member, at 14 years old.  Born and raised in Auckland, I have worked with professional music companies such as New Zealand Opera, Auckland Philharmonia Orchestra, Opera Factory, and others.  Auckland Choral rehearsals are generally the highlight of my week.  In 2015 I gained first place in Opera Factory’s Idol competition. This year in the Aria international vocal competition, I came 1st in two of the four categories available.  Outside of music, I study in year 10 at Kristin School in Albany, and I play flute and piano.  

     
  • Nigel High

    Picture of Nigel HighNigel grew up choral singing with the choirs of Kings School and Kings College in Auckland, but then took a break for the next 30 years while focusing on his career as a Consulting Engineer in Ottawa Canada where he moved with his wife in 1981. Later he joined a choir in Ottawa as a way of relieving the stresses of the daily grind, and found that he really enjoyed the challenge, stimulation, and therapy that choral singing provides. He sang with Coro Vivo Ottawa and the Ottawa Festival Chorus for many years, and part time with Auckland Choral since 2006 on his many visits back to New Zealand, before moving back to Auckland with his wife Ming, last year.  He sings as a Tenor 2.

    He thoroughly enjoys the music and camaraderie of Auckland Choral, and the high standards demanded by the professional team headed up by Uwe Grod.  While not singing, he spends as much time as possible sailing on the waters of the Hauraki gulf, and since retiring is a keen traveler and cruiser.   

     
  • Maria Millar

    Picture of Maria MillarHi! I'm Maria Millar. I'm an Alto 1, and also convener of the Auckland Choral Music Committee. I first joined Auckland Choral in 2015, in time for the Missa Solemnis. I come from a musical home, with a Dad who played Organ at church and piano for the local pantomines and performances. Thanks to his influence, I've sung for most of my life. I studied singing with Margaret Medlyn when I lived in Wellington, as well as singing simultaneously with both the Bach Choir and the Orpheus Choir. I was also a performer in two International Festival of the Arts operas: Salome and Madam Butterfly. I lived in Sydney for three years, and stepped away from the predominantly classical choir style, and sang with the gay & lesbian choir, whose repertoire was more contemporary in nature. Then, in 2001 I moved to London, and while there returned to my classical roots and sang with the Wimbledon Choral Society for a number of years. I took a bit of a break from singing when my two children came along, finding it a struggle to juggle full time work and a young family. It was when we finally moved back to NZ in 2014 that I decided it was time to get back into singing. I returned to singing lessons under the tutelage of Claire Martin, and joined the Auckland Choral Society, which was exactly what I was looking for. By day, I work as a marketing researcher and strategist, a job which I've been doing for 20 years, and which has taken me all over the world. When I'm not working or singing, my happy place is in the kitchen. I love to bake - bread, cakes, anything!

     

     
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