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Support Auckland Choral

The fallout from COVID-19 has hit the arts sector particularly heavily, with concerts worldwide cancelled: artists, groups and venues left without any certainty as to their future. For the first time since the influenza epidemic of 1918 (which caused the cancellation of our Elijah & Messiah concerts) we too were forced to cancel our last concert, Haydn’s The Seasons - at significant financial cost.

Now, more than ever, we are seeking donations, gifts in kind, sponsorships and bequests to ensure Auckland Choral can continue its day-to-day operations and performances in the future.

If you or your company would like to support us, please consider donating or becoming a sponsor. Contact Carey McDonald on admin@aucklandchoral.com for more information

Messiah Banner

Even after 100 consecutive performances, the magic of singing Handel’s Messiah continues to excite Auckland Choral.

There are roughly a quarter of a million notes in Messiah and Handel wrote them in 24 days. From the moment of the opening overture followed by the consoling ‘Comfort Ye my People’ the spine tingles with the sense that something special is about to unfold.

Handel confidently announces the birth of Christ with the radiant chorus ‘For unto us a Child is Born’. Then there’s one of the most famous pieces of choral music, the ‘Hallelujah Chorus’. When King George II first heard the ‘Hallelujah’, he leapt to his feet in excitement, which started quite a tradition. Join us to experience the freshness, inspiration and joy of a truly timeless classic full of the most uplifting music ever written.

Let the spirit of Christmas begin…

 

 

An exciting lineup of soloists to be released!

Uwe Grodd conductor

Elizabeth Mandeno Soprano 

Tessa Romano Mezzo soprano

Manase Latu Tenor 

Jarvis Dams Bass

Auckland Choral

Pipers Sinfonia

 

Monday 16 December & Tuesday 17 December, 7.30pm

Auckland Town Hall

 

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Auckland Choral 100th Hallelujahs Documentary

Watch the full documentary of about Auckland Choral's 100th consecutive performance of Handel's Messiah: 

 

Who we are: Get to know some of our choir members

  • Sandy Bulmer

    Picture of Sandy BulmerLike so many contraltos, I first got put in the alto section as a school girl because I could read music and manage to sing a line of harmony. I joined Auckland Choral when I was in high school and now I’ve been a member for 40 years! I started singing with my mum as a toddler, sitting on her knee while she played the piano and sang soprano and tenor Messiah arias. I used to come to Auckland Choral’s Saturday dress rehearsals in the Town Hall and follow the score in my early teenage years, and it was a natural step to join Mum in the choir when I was 15. I remember Choral Hall in Airedale Street where we used to meet (before Mayoral Drive was built). It was a dusty old building and freezing in winter, but the ladies in the alto section were very kind to me and welcomed me into the back row. Nothing really changes in that respect; the Auckland Choral altos today are a great bunch of people as well!

     
  • John Mitchell

    Picture of John MitchellI have always enjoyed singing, one of my ealiest memories is rehearsing a small item “me and my teddy bear” as a preschooler.  Music is fundemental to who I am and have been fortunate to recieve encouragment and opportunities to improve my ability and to perform.  I have performed with: Auckland Boys Choir, NZ Opera (Turandot), Auckland University Singers, Rennaisance singers (Palmerston North) and Auckland Choral since 2012.  I attained Grade 8 (highest level) singing with the Royal School of Music under the tutalage of Evelyn Hatfield.  I’ve also been onstage in several gang shows with Scouts NZ and school shows at Avondale College.

     
  • Maria Millar

    Picture of Maria MillarHi! I'm Maria Millar. I'm an Alto 1, and also convener of the Auckland Choral Music Committee. I first joined Auckland Choral in 2015, in time for the Missa Solemnis. I come from a musical home, with a Dad who played Organ at church and piano for the local pantomines and performances. Thanks to his influence, I've sung for most of my life. I studied singing with Margaret Medlyn when I lived in Wellington, as well as singing simultaneously with both the Bach Choir and the Orpheus Choir. I was also a performer in two International Festival of the Arts operas: Salome and Madam Butterfly. I lived in Sydney for three years, and stepped away from the predominantly classical choir style, and sang with the gay & lesbian choir, whose repertoire was more contemporary in nature. Then, in 2001 I moved to London, and while there returned to my classical roots and sang with the Wimbledon Choral Society for a number of years. I took a bit of a break from singing when my two children came along, finding it a struggle to juggle full time work and a young family. It was when we finally moved back to NZ in 2014 that I decided it was time to get back into singing. I returned to singing lessons under the tutelage of Claire Martin, and joined the Auckland Choral Society, which was exactly what I was looking for. By day, I work as a marketing researcher and strategist, a job which I've been doing for 20 years, and which has taken me all over the world. When I'm not working or singing, my happy place is in the kitchen. I love to bake - bread, cakes, anything!

     

     
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