Gallipoli to the Somme concert banner

Anthony Ritchie Gallipoli to the Somme | Léonce de Saint-Martin Paraphrase du Psaume 136 | Jeanne Demessieux Te Deum

 

Celebrating experiences of ordinary people

Anthony Ritchie’s secular cantata Gallipoli to the Somme had a rapturous world premiere last October in Dunedin, and has so far been broadcast twice on RNZ. Premiering in this concert, Anthony Ritchie has prepared a version with an ensemble and organ. Against the backdrop of a horrific war, Ritchie celebrates the experiences of ordinary people from their songs, diary entries, letters, and poems, all brought into irresistible musical life. The Otago Daily Times reviewer was ecstatic. “After the final chord,” she said, “complete silence held the audience before prolonged applause and a standing ovation rewarded this brilliant new work.”

Jenny Wollerman soprano

Jarvis Dams baritone

Philip Smith organ

Uwe Grodd conductor

Pipers Sinfonia Ensemble

 

 

 

 

Saturday, 14 April, 7.30pm

Holy Trinity Cathedral

$56, concession available

eventfinda.co.nz / 0800BUYTIX / 09 365 2342

 

Elizabeth Thomson Caldera (detail), 2012

Courtesy of the Artist and Two Rooms, Auckland

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Who we are: Get to know some of our choir members

  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
  • Colleen Elliott

    Picture of Colleen ElliottColleen Elliott joined Auckland Choral in 1999. She comes from a musical background starting with piano at aged 7 which also included being a foundation member of the Whangarei Childrens Choir formed by her Mother in the mid 1950’s. Colleen passed LTCL performers in piano but never completed it as the desire to sing became more the focus and formal vocal training commenced.

    After marrying and raising 3 children over the next 2 decades, singing lessons ceased and all music was put aside until she heard Auckland Choral perform in 1997 at the opening of the newly refurbished Auckland Town Hall. This inspiring performance ultimately led to the courage to audition and acceptance as a singing member. Colleen loves learning the vast range of wonderful new works, the regular vocal coaching given every week, sharing her love of music with others and benefits significantly from the health benefits that singing offers. She has been actively involved as Membership Secretary for NZ Choral Federation for the past 4 years. Vivante Recording, a supporter of Auckland Choral is managed by her husband Larry who records most performances for archive purposes and has engineered two CD’s for Auckland Choral in past years.

     
  • Ann Whitehouse

    Picture of Ann WhitehouseI learnt to sing on my mother's knee and have been singing ever since! In school in Wales I sang in small and large choirs in the eisteddfod. As soon as I left school I joined a choral society and have always been a member of one choir or another. I joined Auckland Choral in 2006 and have been on the management committee for the last 2 years. Choral singing has given me opportunities to make and keep wonderful friends, to travel, to see magnificent buildings, to hear all the major works and many new compositions, and to be part of a fabulous music making machine, always striving to improve. I have sung Handel's Messiah in 4 continents, in 2016 clocked up my 70th Messiah, and I still love it. I am also a semi retired speech language therapist and enjoy spending time with my 5 grandchildren.

     
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