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Gallipoli to the Somme concert banner

Anthony Ritchie Gallipoli to the Somme | Léonce de Saint-Martin Paraphrase du Psaume 136 | Jeanne Demessieux Te Deum

 

Celebrating experiences of ordinary people

Anthony Ritchie’s secular cantata Gallipoli to the Somme had a rapturous world premiere last October in Dunedin, and has so far been broadcast twice on RNZ. Premiering in this concert, Anthony Ritchie has prepared a version with an ensemble and organ. Against the backdrop of a horrific war, Ritchie celebrates the experiences of ordinary people from their songs, diary entries, letters, and poems, all brought into irresistible musical life. The Otago Daily Times reviewer was ecstatic. “After the final chord,” she said, “complete silence held the audience before prolonged applause and a standing ovation rewarded this brilliant new work.”

Jenny Wollerman soprano

Jarvis Dams baritone

Philip Smith organ

Uwe Grodd conductor

Pipers Sinfonia Ensemble

 

 

 

 

Saturday, 14 April, 7.30pm

Holy Trinity Cathedral

$56, concession available

eventfinda.co.nz / 0800BUYTIX / 09 365 2342

 

Elizabeth Thomson Caldera (detail), 2012

Courtesy of the Artist and Two Rooms, Auckland

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Who we are: Get to know some of our choir members

  • Jane Gee

    Picture of Jane GeeI joined Auckland Choral in 2008. I enjoy the challenges of the big works which are inspired by Uwe's leadership. Singing with Auckland Choral is as important to me as breathing! And second only to my husband and family. My grandmother said that you should 'do The Messiah' at least once before you die! I have have had the privilege of singing it many times. I have made many friends and hope to sing with Choral for many years to come.

     
  • Kimberley Harris

    Picture of Kimberley HarrisKimberley joined the choir as a Soprano in January 2015 for Handel's Israel in Egypt. It was a daunting, split choir piece with a short rehearsal period but this didn't scare her away! Kimberley has been singing since before she could talk, her first words were sung, being Old MacDonald's E-I-E-I-O. Kimberley joined the Auckland Girls Choir as a foundation member in 1998 under Leonie Lawson and found she enjoyed Choral Music but left in 2000 as a 13 year old and found enjoyment throughout her high-school years in musical stage performances and often performed singing solos at school assemblies and talent contests. 

    After high-school Kimberley got her first job as a Receptionist in a Print Brokers and has since grown in the industry and is now very happy in her latest role as a Customer Support specialising in Labels. Kimberley has a wonderful daughter Jayda and a very cool and cheeky son, Harris (don't worry! he has his Fathers surname!) who bring her much joy. She grew up in and still resides in the Howick/Pakuranga area. Kimberley also enjoys movies, crystals, philosophical conversations and Karaoke (of course!)

     
  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
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