Missa Gaia & Lullabies concert banner

 

‘One of auckland Choral’s most standout performances in 28 years’

John Stevenson, choir member

 

Paul Winter&Paul Halley’s radical Missa Gaia (Earth Mass) for soprano, choir and jazz ensemble published by Pelagos Music

Paul Winter’s radical Missa Gaia (Earth Mass) adeptly combines a variety of genres to create a musical spectacle that appeals to all. Premiered in 1981, it is a 20th century interpretation of the Mass, embracing the many voices of the earth, from jazz to the sounds of wolf, whale and lion. Conductor Brian Law is synonymous with the Missa Gaia and Auckland Choral is very excited to perform this work under his baton.

As an organisation dedicated to New Zealand music, we open this concert with a new commission from New Zealand composer Anthony Ritchie. Anthony is well-known at home and abroad and produces works that are engaging, energetic and beautifully crafted – qualities this new work for soprano, girls’ choir, chorus and organ achieves superbly.

 

Emma Roxburgh, Soprano

Jennine Bailey, Soprano

Auckland Choral

St Cuthbert’s College Song Squad

Junior Black Watch Singers

Brian Law, Conductor

Pipers Sinfonia:

Alison Dunlop, Oboe

Sarah Spence, Cello

Timothy Noon, Organist

Roger Manins, Soprano Saxophone

Olivier Holland, Acoustic Bass

Ron Samson, Drums

Kevin Field, Piano

 

Lullabies was commissioned by The Auckland Choral Society for their 2015 season, and will be premiered on 6th June, in The Holy Trinity Cathedral, with funding from Creative NZ. It is a cycle of six songs, to be performed without a break, to poems by Elena Poletti, a Dunedin-based poet. Lullabies are common to all cultures, and are richly varied in their themes and moods. These six lullabies traverse different perspectives, both adult and child. ‘Shush-a-shush’ has a parent calming her child to sleep through images of the sea and beach. In ‘Little One’ it is gentle rain than lulls the child to sleep. ‘Sounds of Penguins’ makes a comparison between little blue penguins under a house, and children busily preparing for bed. The moonlight, wind, waves and lighthouse all conspire to finally calm them down. In ‘The Nightsingers’ it is the sounds of tree-frogs, ruru (morepork), and cats that accompany the lullaby; they are presented one by one and then are combined in the coda. ‘Beddington’ is a frisky lullaby for children to sing, and including a round and a ‘Monster-Munch-Up’ chant. The final song ‘Hope of my heart’ reflects on a child’s future, and remembers the passing of a sister and child (represented in the song by the childrens’ voices as echoes). All the forces come together in this song, to round off the cycle.

 

Saturday 6 June 7.30pm

Holy Trinity Cathedral

 

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Who we are: Get to know some of our choir members

  • Picture of John StevensonJohn has a passion for choral singing and has been a singing member of Auckland Choral for 30 years. He has been fully involved in the society throughout that time serving for 20 years on the Auckland Choral Management Committee, much of that time as Deputy Chairman of the Committee,, and for several years as Chairman of the Finance sub-committee. 

    John is a current Trustee of both Auckland Choral and Auckland Choral Foundation, the later as a founding supporter.

     
  • Picture of Aria ZhangSinging in choirs since I was at Fudan University in Shanghai, I have been regarding singing as one of the most important part of my life. Before I moved to Auckland, I searched online and found Auckland Choral. I told myself: that is the choir I want to join in!
    Then here I am. Being an alto at Auckland Choral, I enjoy every rehearsal we have every Wednesday. I love our conductors and our music committee for their professional selection and interpretation of music works. I love our marketing committee for their enthusiasm and persistence in promoting our performance. Being a helper at the marketing committee, I engaged in campaigns at University campus and the Chinese Community. That is definitely what I want to do as a PhD student at The University of Auckland and as a new Chinese immigrant. 
    Music is a language to communicate with other people no matter which country we come from. Being a member of Auckland Choral, I have an even stronger feeling of integrating into this vibrant and diversified city—Auckland!
     
  • Picture of Jane GeeI joined Auckland Choral in 2008. I enjoy the challenges of the big works which are inspired by Uwe's leadership. Singing with Auckland Choral is as important to me as breathing! And second only to my husband and family. My grandmother said that you should 'do The Messiah' at least once before you die! I have have had the privilege of singing it many times. I have made many friends and hope to sing with Choral for many years to come.

     
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