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Mahler Symphony No. 2 in C minor Resurrection

Join NZSO Music Director Edo de Waart, two outstanding soloists, and choirs for Mahler’s huge Second Symphony – Resurrection.

This is one of Mahler’s most popular works. Using massive forces – vocal soloists, a choir, extra wind and percussion and offstage brass and percussion – to create high drama, there are also many quieter,
intimate moments. Mahler wrote various programs for this work highlighting the struggles of a hero who finally succumbs to death. The first movement represents a funeral. The second remembers happy times. The third “when you awaken from a blissful dream and are forced to return to this tangled life of ours.” The fourth is a wish for release from a life without meaning. In the final movement “the end of every living thing
has come; the Last Judgment is at hand … the trumpets of the Apocalypse ring out.” 

Mahler later withdrew the program, telling his wife that ‘it gives only a superficial indication, all that any program can do for a musical work.’ Swedish mezzo-soprano Anna Larsson is renowned for her Mahler interpretations, which she has sung with the world’s greatest orchestras.

Graduating from The Juilliard School in 2011, American soprano Lauren Snouffer is one of the most versatile young sopranos on the international stage.

New Zealand Symphony Orchestra

Edo de Waart Conductor
Lauren Snouffer Soprano
Anna Larsson Mezzo-soprano

Voices New Zealand Chamber Choir
Auckland Choral

Auckland
Sat, 23 Nov, 7.30pm
Auckland Town Hall

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Who we are: Get to know some of our choir members

  • Warwick Mitchell

    Picture of Warwick MitchellWarwick brings over thirty years involvement in choral singing and over twenty years in management of choral organisations including Royal Christchurch Musical Society, Christchurch City Choir and over the last 23 years with Auckland Choral.  He is a current singing member and past Chairman of nine years for the group.

    Warwick's business background includes twenty five years as a senior executive specializing in sales and marketing for the Post Haste Limited group.  Warwick joined the board in 2014 with the intent of sharing his extensive experience in choral administration, marketing and fund raising.

     
  • Pedro Silva

    Picture of Pedro Silva

    I discovered and have fallen in love with choral music while I was in high school in Lisbon. Later I joined Lisboa Cantat, a Lisbon-based symphonic choir for a few years. After coming to New Zealand, in early 2013 I joined Auckland Choral, and I have since been a member of the Bass section. 

    Alongside with choral music, I love motorbike riding, travelling and tramping the beautiful landscapes of New Zealand. Professionally, I work for the Faculty of Engineering, University of Auckland as Director of Faculty Operations.

     
  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
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