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Even after 100 consecutive performances, the magic of singing Handel’s Messiah continues to excite Auckland Choral.

There are roughly a quarter of a million notes in Messiah and Handel wrote them in 24 days. From the moment of the opening overture followed by the consoling ‘Comfort Ye my People’ the spine tingles with the sense that something special is about to unfold.

Handel confidently announces the birth of Christ with the radiant chorus ‘For unto us a Child is Born’. Then there’s one of the most famous pieces of choral music, the ‘Hallelujah Chorus’. When King George II first heard the ‘Hallelujah’, he leapt to his feet in excitement, which started quite a tradition. Join us to experience the freshness, inspiration and joy of a truly timeless classic full of the most uplifting music ever written.

Let the spirit of Christmas begin…

 

 

An exciting lineup of soloists to be released!

Uwe Grodd conductor

Elizabeth Mandeno Soprano 

Tessa Romano Mezzo soprano

Manase Latu Tenor 

Jarvis Dams Bass

Auckland Choral

Pipers Sinfonia

 

Monday 16 December & Tuesday 17 December, 7.30pm

Auckland Town Hall

ticketmaster.co.nz
09 970 9700

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Auckland Choral 100th Hallelujahs Documentary trailer

Who we are: Get to know some of our choir members

  • Warwick Mitchell

    Picture of Warwick MitchellWarwick brings over thirty years involvement in choral singing and over twenty years in management of choral organisations including Royal Christchurch Musical Society, Christchurch City Choir and over the last 23 years with Auckland Choral.  He is a current singing member and past Chairman of nine years for the group.

    Warwick's business background includes twenty five years as a senior executive specializing in sales and marketing for the Post Haste Limited group.  Warwick joined the board in 2014 with the intent of sharing his extensive experience in choral administration, marketing and fund raising.

     
  • Pedro Silva

    Picture of Pedro Silva

    I discovered and have fallen in love with choral music while I was in high school in Lisbon. Later I joined Lisboa Cantat, a Lisbon-based symphonic choir for a few years. After coming to New Zealand, in early 2013 I joined Auckland Choral, and I have since been a member of the Bass section. 

    Alongside with choral music, I love motorbike riding, travelling and tramping the beautiful landscapes of New Zealand. Professionally, I work for the Faculty of Engineering, University of Auckland as Director of Faculty Operations.

     
  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
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