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Banner for Haydn Nelson Mass and Hamilton Homecoming

Stamitz Sinfonia a Quattro in A | Hamilton Homecoming, Te Hokinga Mai (2018) | Haydn Nelson Mass, Mass for troubled times

Originally called Missa in Angustiis, Mass for Troubled Times, Haydn’s mighty choral work is now forever associated with Admiral Nelson’s victory over Napoleon. Haydn wrote it at a time of intense fear for the future of Austria and the sense of urgency and the unknown can be felt throughout the work.

David Hamilton selected Vincent O’Sulivan’s poem ‘Home Coming – Te Hokinga Mai’, to commemorate the 100th anniversary of the end of World War I. David was drawn to the energy and joy of the country welcoming home its soldiers. One of the most influential figures in European music during the mid-eighteenth century, Johann Stamitz, composed 58 sinfonias. The then cutting-edge mini-symphonies of Stamitz were both energetic and sensuous. The ‘Sinfonia A Quattro in A’ is a fitting overture.


Uwe Grodd conductor

Anna Leese soprano

Kate Webber mezzo-soprano

Jared Holt tenor

James Harrison baritone

Auckland Choral

Pipers Sinfonia

 

Saturday 4 May 7.30pm

Holy Trinity Cathedral

 

 

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Who we are: Get to know some of our choir members

  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
  • Becky O'Gram

    Picture of Becky O'GramMy earliest memories of singing were car songs, where my sisters and I were squashed in the back of the car while my mother lead the chorus from the front. I started singing in small groups and choirs at age 12 for church events and friends' weddings. I've been a member of some form of choir ever since and now count myself very lucky to be a member of Auckland Choral. I joined in January 2017, with my first concert being the huge St John Passion by Bach. We performed it at the Holy Trinity Cathedral, in German! Singing out that first loud "Herr" gave me goose bumps and was an unforgettable experience. In December that year I got to perform in the Messiah for the first time and hope to do the same every Christmas for a long time to come.

     
  • Keith Guyan

    Picture of Keith GuyanKeith spent most of his life as a self-employed freelance graphic designer after graduating with a degree in fine arts. Over several further years of study he obtained professional qualifications in advertising, marketing and tertiary teaching, enjoying being a tutor for fifteen years introducing graphic design to young students, then seven years as a part-time senior lecturer in graphic design at AUT University. He has been a self-taught church organist from the age of thirteen, and since 2002 he has been the Parish Elder, Administrator and Organist in the large multicultural Onehunga Co-operating Parish. His love of singing, church and organ music was nurtured from an early age in a musical family. Since 1980 he has sung Bass in Auckland Choral, conducted by Ray Wilson, Peter Watts, Professor Uwe Grodd and many other inspiring and talented musicians. To quote from Hallelujahs & History  “...for bass Keith Guyan, Auckland Choral has everything: thrilling repertoire, inspiring conductor, friendly and caring singers, satisfying discipline, high musical standards and the privilege of performing some of the masterpieces of choral writing”.

     
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