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Banner for Haydn Nelson Mass and Hamilton Homecoming

Stamitz Sinfonia a Quattro in A | Hamilton Homecoming, Te Hokinga Mai (2018) | Haydn Nelson Mass, Mass for troubled times

Originally called Missa in Angustiis, Mass for Troubled Times, Haydn’s mighty choral work is now forever associated with Admiral Nelson’s victory over Napoleon. Haydn wrote it at a time of intense fear for the future of Austria and the sense of urgency and the unknown can be felt throughout the work.

David Hamilton selected Vincent O’Sulivan’s poem ‘Home Coming – Te Hokinga Mai’, to commemorate the 100th anniversary of the end of World War I. David was drawn to the energy and joy of the country welcoming home its soldiers. One of the most influential figures in European music during the mid-eighteenth century, Johann Stamitz, composed 58 sinfonias. The then cutting-edge mini-symphonies of Stamitz were both energetic and sensuous. The ‘Sinfonia A Quattro in A’ is a fitting overture.


Uwe Grodd conductor

Anna Leese soprano

Kate Webber mezzo-soprano

Jared Holt tenor

James Harrison baritone

Auckland Choral

Pipers Sinfonia

 

Saturday 4 May 7.30pm

Holy Trinity Cathedral

 

 

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Who we are: Get to know some of our choir members

  • Warwick Mitchell

    Picture of Warwick MitchellWarwick brings over thirty years involvement in choral singing and over twenty years in management of choral organisations including Royal Christchurch Musical Society, Christchurch City Choir and over the last 23 years with Auckland Choral.  He is a current singing member and past Chairman of nine years for the group.

    Warwick's business background includes twenty five years as a senior executive specializing in sales and marketing for the Post Haste Limited group.  Warwick joined the board in 2014 with the intent of sharing his extensive experience in choral administration, marketing and fund raising.

     
  • Pedro Silva

    Picture of Pedro Silva

    I discovered and have fallen in love with choral music while I was in high school in Lisbon. Later I joined Lisboa Cantat, a Lisbon-based symphonic choir for a few years. After coming to New Zealand, in early 2013 I joined Auckland Choral, and I have since been a member of the Bass section. 

    Alongside with choral music, I love motorbike riding, travelling and tramping the beautiful landscapes of New Zealand. Professionally, I work for the Faculty of Engineering, University of Auckland as Director of Faculty Operations.

     
  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
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