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Anthony Ritchie Gallipoli to the Somme | Léonce de Saint-Martin Paraphrase du Psaume 136 | Jeanne Demessieux Te Deum

 

Celebrating experiences of ordinary people

Anthony Ritchie’s secular cantata Gallipoli to the Somme had a rapturous world premiere last October in Dunedin, and has so far been broadcast twice on RNZ. Premiering in this concert, Anthony Ritchie has prepared a version with an ensemble and organ. Against the backdrop of a horrific war, Ritchie celebrates the experiences of ordinary people from their songs, diary entries, letters, and poems, all brought into irresistible musical life. The Otago Daily Times reviewer was ecstatic. “After the final chord,” she said, “complete silence held the audience before prolonged applause and a standing ovation rewarded this brilliant new work.”

Jenny Wollerman soprano

Jarvis Dams baritone

Philip Smith organ

Uwe Grodd conductor

Pipers Sinfonia Ensemble

 

 

 

 

Saturday, 14 April, 7.30pm

Holy Trinity Cathedral

$56, concession available

eventfinda.co.nz / 0800BUYTIX / 09 365 2342

 

Elizabeth Thomson Caldera (detail), 2012

Courtesy of the Artist and Two Rooms, Auckland

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Who we are: Get to know some of our choir members

  • Albert Wilson

    Picture of Albert WilsonHi! I’m Albert Wilson, and only joined Auckland Choral in 2018, as a Tenor.
    Originally from South Africa, I have sung in choirs since I can remember, therefore it was only natural to join a choir again and continue this passion, when I relocated to New Zealand.
    Choral music is so much more than singing… It creates a sense of belonging and community - being part of something special and inspiring. Therefore, being part of Auckland Choral is truly special!
    With its rich history, committed leadership and world-class conductor, I feel extremely honoured to sing in the choir, especially at the centenary celebration of Handel’s Messiah. Performing this piece is a dream come true, and I feel very lucky to be part of it.

     
  • Sandy Bulmer

    Picture of Sandy BulmerLike so many contraltos, I first got put in the alto section as a school girl because I could read music and manage to sing a line of harmony. I joined Auckland Choral when I was in high school and now I’ve been a member for 40 years! I started singing with my mum as a toddler, sitting on her knee while she played the piano and sang soprano and tenor Messiah arias. I used to come to Auckland Choral’s Saturday dress rehearsals in the Town Hall and follow the score in my early teenage years, and it was a natural step to join Mum in the choir when I was 15. I remember Choral Hall in Airedale Street where we used to meet (before Mayoral Drive was built). It was a dusty old building and freezing in winter, but the ladies in the alto section were very kind to me and welcomed me into the back row. Nothing really changes in that respect; the Auckland Choral altos today are a great bunch of people as well!

     
  • Pedro Silva

    Picture of Pedro SilvaPedro discovered and fell in love with choral music while in high school in Lisbon. Later on he joined Lisboa Cantat, a Lisbon-based symphonic choir. After coming to New Zealand, Pedro joined Auckland Choral, and has since been a member of the Bass section. 

    Alongside with choral music, Pedro loves motorbike riding, travelling and tramping the beautiful landscapes of New Zealand. Professionally, he is the Director of Faculty Operations for the Faculty of Engineering, University of Auckland. 

     
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