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Dove Vast Ocean of Light | Whitacre Light and Gold | Lauridsen Lux Aeterna | Prize winning Pieces from Auckland Choral Foundation Young Composer competition | Handel Arrival of the Queen of Sheba | Handel Eternal Source of Light divine | Handel Zadok the Priest | Hamilton A Blessing of Light

 

Light, and the idea of light, is the source of inspiration for the works in this concert. From the resplendent energy of Jonathan Dove’s motet Vast Ocean of Light to the serenity and warmth of Eric Whitacre’s Lux Aurumque, the concert explores various composers’ responses to light.

Lux Aeterna is a tranquil, light-filled piece by one of America’s best-loved choral composers, Morten Lauridsen. He composed this requiem in 1997, the year his mother died – a light-filled continuum of sacred texts, old world structures and new world spirit, according to The Times. 

The lights of the future shine in the presentation of the winning works from the Auckland Choral Foundation Student Composers’ Prize. To end the concert, our Alumni join the choir for David Hamilton’s A Blessing of Light which draws on Celtic texts, and Handel’s exhilarating and joyful Zadok the Priest.

 

Lauren Armishaw soprano

Huw Dann trumpet

Sarah Court alto

Uwe Grodd conductor

Pipers Sinfonia

 

Saturday 29 August, 7.30pm

Holy Trinity Cathedral


ticketmaster.co.nz
09 970 9700

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Auckland Choral 100th Hallelujahs Documentary

Watch the full documentary of about Auckland Choral's 100th consecutive performance of Handel's Messiah: 

 

Who we are: Get to know some of our choir members

  • Kimberley Harris

    Picture of Kimberley HarrisKimberley joined the choir as a Soprano in January 2015 for Handel's Israel in Egypt. It was a daunting, split choir piece with a short rehearsal period but this didn't scare her away! Kimberley has been singing since before she could talk, her first words were sung, being Old MacDonald's E-I-E-I-O. Kimberley joined the Auckland Girls Choir as a foundation member in 1998 under Leonie Lawson and found she enjoyed Choral Music but left in 2000 as a 13 year old and found enjoyment throughout her high-school years in musical stage performances and often performed singing solos at school assemblies and talent contests. 

    After high-school Kimberley got her first job as a Receptionist in a Print Brokers and has since grown in the industry and is now very happy in her latest role as a Customer Support specialising in Labels. Kimberley has a wonderful daughter Jayda and a very cool and cheeky son, Harris (don't worry! he has his Fathers surname!) who bring her much joy. She grew up in and still resides in the Howick/Pakuranga area. Kimberley also enjoys movies, crystals, philosophical conversations and Karaoke (of course!)

     
  • Garnet Tregonning

    Picture of Garnet TregonningGarnet has a long involvement with Auckland Choral after his first introduction to singing in Lead Roles in Gilbert and Sullivan Operettas at Kings High School in Dunedin,followed by being a member of Capping Sextet at Otago University with Sir William Southgate in the 1960s.

    First joined the Choir under Ray Wilson in 1968-71 as a Junior Doctor before travelling Overseas for Orthopaedic Training in Canada and the UK.Rejoined under Bill Power 1976-1986 then again in the mid 1990s up to the present time-so have been a member on and off over some 47 years.Was a committee member for 5 years and continue to be inspired by the opportunity to be a member of the Choir which I believe continues to improve and I believe is currently performing at its highest level over the past 40 years –no doubt due to the superb direction of Uwe and the support of Elizabeth and the wonderful Vocal Coaches.

    Currently working full-time as a Consultant Orthopaedic Surgeon at Middlemore Hospital. 

     
  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
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