Missa Gaia & Lullabies concert banner

 

‘One of auckland Choral’s most standout performances in 28 years’

John Stevenson, choir member

 

Paul Winter&Paul Halley’s radical Missa Gaia (Earth Mass) for soprano, choir and jazz ensemble published by Pelagos Music

Paul Winter’s radical Missa Gaia (Earth Mass) adeptly combines a variety of genres to create a musical spectacle that appeals to all. Premiered in 1981, it is a 20th century interpretation of the Mass, embracing the many voices of the earth, from jazz to the sounds of wolf, whale and lion. Conductor Brian Law is synonymous with the Missa Gaia and Auckland Choral is very excited to perform this work under his baton.

As an organisation dedicated to New Zealand music, we open this concert with a new commission from New Zealand composer Anthony Ritchie. Anthony is well-known at home and abroad and produces works that are engaging, energetic and beautifully crafted – qualities this new work for soprano, girls’ choir, chorus and organ achieves superbly.

 

Emma Roxburgh, Soprano

Jennine Bailey, Soprano

Auckland Choral

St Cuthbert’s College Song Squad

Junior Black Watch Singers

Brian Law, Conductor

Pipers Sinfonia:

Alison Dunlop, Oboe

Sarah Spence, Cello

Timothy Noon, Organist

Roger Manins, Soprano Saxophone

Olivier Holland, Acoustic Bass

Ron Samson, Drums

Kevin Field, Piano

 

Lullabies was commissioned by The Auckland Choral Society for their 2015 season, and will be premiered on 6th June, in The Holy Trinity Cathedral, with funding from Creative NZ. It is a cycle of six songs, to be performed without a break, to poems by Elena Poletti, a Dunedin-based poet. Lullabies are common to all cultures, and are richly varied in their themes and moods. These six lullabies traverse different perspectives, both adult and child. ‘Shush-a-shush’ has a parent calming her child to sleep through images of the sea and beach. In ‘Little One’ it is gentle rain than lulls the child to sleep. ‘Sounds of Penguins’ makes a comparison between little blue penguins under a house, and children busily preparing for bed. The moonlight, wind, waves and lighthouse all conspire to finally calm them down. In ‘The Nightsingers’ it is the sounds of tree-frogs, ruru (morepork), and cats that accompany the lullaby; they are presented one by one and then are combined in the coda. ‘Beddington’ is a frisky lullaby for children to sing, and including a round and a ‘Monster-Munch-Up’ chant. The final song ‘Hope of my heart’ reflects on a child’s future, and remembers the passing of a sister and child (represented in the song by the childrens’ voices as echoes). All the forces come together in this song, to round off the cycle.

 

Saturday 6 June 7.30pm

Holy Trinity Cathedral

 

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Who we are: Get to know some of our choir members

  • Ann Whitehouse

    Picture of Ann WhitehouseI learnt to sing on my mother's knee and have been singing ever since! In school in Wales I sang in small and large choirs in the eisteddfod. As soon as I left school I joined a choral society and have always been a member of one choir or another. I joined Auckland Choral in 2006 and have been on the management committee for the last 2 years. Choral singing has given me opportunities to make and keep wonderful friends, to travel, to see magnificent buildings, to hear all the major works and many new compositions, and to be part of a fabulous music making machine, always striving to improve. I have sung Handel's Messiah in 4 continents, in 2016 clocked up my 70th Messiah, and I still love it. I am also a semi retired speech language therapist and enjoy spending time with my 5 grandchildren.

     
  • Warwick Mitchell

    Picture of Warwick MitchellWarwick brings over thirty years involvement in choral singing and over twenty years in management of choral organisations including Royal Christchurch Musical Society, Christchurch City Choir and over the last 23 years with Auckland Choral.  He is a current singing member and past Chairman of nine years for the group.

    Warwick's business background includes twenty five years as a senior executive specializing in sales and marketing for the Post Haste Limited group.  Warwick joined the board in 2014 with the intent of sharing his extensive experience in choral administration, marketing and fund raising.

     
  • Rachel Harrison

    Picture of Rachel HarrisonI am originally from the UK where I studied music. After a few years in London working in Orchestral Management the call of the sea became strong and I spent the next few years yachting. During my time in the Pacific I ended up sailing to New Zealand where I decided to step ashore and have called New Zealand home for just over 9 years. 

    During my time at sea I missed my music, but my clarinet playing days were long gone. I decided I would give singing a try, even though I was a little nervous of my abilities, so I approached Auckland Choral. As soon as I attended my first rehearsal I realised this is what I had been missing and have been a member of Auckland Choral ever since. Auckland Choral became a family to me, and I passionately supported it by being on the Management Committee for several years until May 2016, including Convener of the Music Committee. I love my Wednesday night rehearsals and being able to perform magical works in fabulous venues with friends!

     
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